Free Download Projecting the Past: Ancient Rome, Cinema and History (New Ancient World)By Maria Wyke

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Projecting the Past: Ancient Rome, Cinema and History (New Ancient World)By Maria Wyke

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Brought vividly to life on screen, the myth of ancient Rome resonates through modern popular culture. Projecting the Past examines how the cinematic traditions of Hollywood and Italy have resurrected ancient Rome to address the concerns of the present. The book engages contemporary debates about the nature of the classical tradition, definitions of history, and the place of the past in historical film.

• Amazon Sales Rank: #1510379 in Books
• Published on: 1997-04-27
• Released on: 1997-06-05
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .56" w x 6.00" l, .77 pounds
• Binding: Paperback
• 248 pages

Review ..."Wyke treats the cinematic representation of the ancient world with the utmost seriousness and succeeds in developing a rigorous methodology for dealing with classical history on celluloid."-Pheonix, 1999 "This fascinating book analyzing films, many of them long forgotten, about ancient Rome should be welcomed by both classicists and those interested in the cinema and its historical setting... Wyke's book is an excellent addition to any library covering film studies, the classical tradition, culture and gender studies. Maria Wyke has done some fine and entertaining work."-Bryn Mawr Classical Review, 9.4 (1998)

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Ebook , by Roy Wilkenfeld

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, by Roy Wilkenfeld

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Product details

File Size: 4039 KB

Print Length: 61 pages

Page Numbers Source ISBN: 1519107501

Simultaneous Device Usage: Unlimited

Publisher: Roy Wilkenfeld (July 3, 2015)

Publication Date: July 3, 2015

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B010XQ4WDG

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In the church where I attend service regularly, we recently purchased a mixer- basically to mix sound quality, but no one is well equipped to do the right mixing. In most times, despite the several attempts to create a great sound in the stereo field, we just couldn't get it right. Fortunately, I came across this book and started looking for answers on how I could help solve the issue at hand. It was kind of desperate.At first, because I literally have no clue about mixing, my assumption was -this is going to be very hard. To my surprise, IT IS NOT HARD AT ALL. Mind you, the writing style is so simple, in just a snap, I was blown away how my mind was switched on a 360 degree and end up saying, I can break a leg on this one.I would like to quote the author, that mixing is like building a house. You have to start brick by brick and choosing the right element that is important, rather than boosting all levels up to prevent a disaster- is what it's all about.As if I had a crash course about electronic mixing and got a perfect score at the comprehension exam- that's the feeling I got after reading this. No exaggeration. It was as if, a fishbone was taken off my throat. Finally, I can do something for the church.And because I highly recommend this book for the people who wanted help like me, here are the things that made this book worth 5 stars= easy to read writing construction, the explanation technique is downright steady and gradually increasing its level- you won't get choked up with information, great pro-tips- quite insightful, and a lot of HOW TO's including how to do complementary EQ'ing, how to dash off bad frequencies and more. There are topics that seem complicated to execute for me such as chain , parallel and other compressions, but I believe this is something that most musicians and mixers could relate- I am a newbie here, so basically although I understand that compression is the secret tool for mixing- I still have a lot to learn to make a kick-ass effects in the future or perhaps take my nook and literally read and do demo immediately after each page to get the feel of it. Oh before I forget- the claps and snares smashing reduction sound is awesome. Too much of the clapper is irritating, so the information I got is divine.

I've always had a passion for producing my own, unique music, however I've never went out of my comfort zone. It's just recently that I've been looking to push myself and really improve the quality of the mixes I create. So after some research I decided to get this book as it looked promising. And I definitely wasn't disappointed.It is obvious that the author knows what they are talking about as a lot of accurate, helpful information is given, as well as the book being very well written. Clear instructions are there to follow so I knew exactly what to do.I especially enjoyed the chapters on advanced stereo effects and musical side chain compression, which were all explained in a manner I understood. Overall, this guide really helped me learn more about how to improve my music, and after using what I've learned I can really hear the difference. I definitely recommend.

Electronic influenced music is always my favorite type of music, with all its variety: Industrial, New Wave, EBM, Trance, House to mention a few. The funny thing is when I ask to mix music everything is so alien to me. There are suggestions on this book on how to read it to get the maximum information out of it. I decided to read everything first then concentrate on things that interest me the most. Working on something you are comfortable with makes the learning much easier. Putting the fundamentals to heart which are clearly laid out in this book then practicing every day I was able to play the more famous hits. Now I am able to compose my own mix, more of a “drone” type of music. I am very proud my output; very atmospheric and I have nothing but gratitude to Roy Wilkenfeld for making easy what can be daunting at first glance. But of course once you learn the essentials you must push the envelope and use your innate creativity to improve.

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Out of few guides that I bought on mixing electronic music, this one is definitely in my top 5. Since I was little I enjoyed remixing / mixing electronic music and I wanted to get better at this and improve my skill. What will you get out of this book:* Well explained tips* Not too big not too short guideIt's worth the price!

This is the best book ever on how to make music in a studio. Reads better as a personal meditation on the art of mixing than as a how-to guide. What a refreshing read this was, full of brilliant advice on mixing audio in a music studio. If only I had more time to get into the studio and apply all of this great advice. It will give you more experience than any other book but most important it will make you think.

I wasn't sure what to expect from this book as I'm just a hobbyist. I've got to say that it offers lots of great advice. There is so much good information here, particularly someone who is either just starting out in production or has limited music theory knowledge. It's a comprehensive, well structured and fascinating read/reference tool.

Roy Wilkenfeld’s Electronic Music book is an interesting read for anyone who wants to know about the ins and outs of mixing your own sound. In the book are some of the most in depth information about every aspect involved in mixing sound. I thoroughly enjoyed reading it since it will give you a look at what goes on behind a producer’s chair.I highly recommend this book to all the aspiring music producers whether or not you plan to do this professionally.

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Download PDF British Crime Cinema (British Popular Cinema)From Routledge

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British Crime Cinema (British Popular Cinema)From Routledge

Download PDF British Crime Cinema (British Popular Cinema)From Routledge

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This is the first substantial study of British cinema's most neglected genre. Bringing together original work from some of the leading writers on British popular film, this book includes interviews with key directors Mike Hodges (Get Carter) and Donald Cammel (Performance). It discusses an abundance of films including:
* acclaimed recent crime films such as Shallow Grave, Shopping, and Face.
* early classics like They Made Me A Fugitive
* acknowledged classics such as Brighton Rock and The Long Good Friday
* 50s seminal works including The Lavender Hill Mob and The Ladykillers.

• Sales Rank: #5389516 in Books
• Published on: 1999-06-30
• Released on: 1999-06-30
• Original language: English
• Number of items: 1
• Dimensions: 9.21" h x .60" w x 5.91" l, 1.10 pounds
• Binding: Paperback
• 264 pages

Review
'An all-encompassing study, there is much of interest to digest here.' - Film Review

'British Science Fiction Cinema British Crime Cinema The two books may be aimed more at students than buffs, but anyone who picks them up will find plenty of food for thought.' - Independent

About the Author
Steve Chibnall is Senior Lecturer in Media Studies at de Montfort University, Leicester. Robert Murphy is senior Research Fellow at de Montfort University.

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British Crime Cinema (British Popular Cinema)From Routledge PDF

British Crime Cinema (British Popular Cinema)From Routledge PDF