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Patriarchy after Patriarchy: Gender Relations in Turkey and in the Balkans, 1500-2000 (Studies on South East Europe)By Karl Kaser

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Since the second half of the 1980s social movements, which questioned the legitimacy of the hitherto seemingly stable systems of Kemalist Turkey and socialist Balkans, won ground. Political Islam struck Turkey; in the Balkan socialist countries the dams broke, and parliamentary democracies replaced monolithic socialist regimes. These processes have not been gender neutral. Therefore the central question is: after the abolition of patriarchy and the official installation of gender equality, are patriarchy and female discrimination returning in the region through the backdoor, although in a modernized version?

• Sales Rank: #7132790 in Books
• Published on: 2008-05-06
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 6.25" w x 1.00" l, .0 pounds
• Binding: Paperback
• 328 pages

About the Author

Karl Kaser is a professor of Southeast European history at the University of Graz/Austria.

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Patriarchy after Patriarchy: Gender Relations in Turkey and in the Balkans, 1500-2000 (Studies on South East Europe)By Karl Kaser PDF

Patriarchy after Patriarchy: Gender Relations in Turkey and in the Balkans, 1500-2000 (Studies on South East Europe)By Karl Kaser PDF

Patriarchy after Patriarchy: Gender Relations in Turkey and in the Balkans, 1500-2000 (Studies on South East Europe)By Karl Kaser PDF

Get Free Ebook Music of the BaroqueBy David Schulenberg

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Music of the Baroque, Third Edition, and its accompanying anthology of scores offer a vivid introduction to European music from 1600 through 1750. Integrating historical and cultural context with composer biography, music analysis, and performance practice, the text surveys Baroque music while analyzing in depth more than thirty works from the principal traditions of the period. It also places special emphasis on the evolution of instruments and performance practices, showing how the period shaped them into what we know today.

Organized by chronology and genre, the third edition expands the discussion of social and cultural issues through new sidebars on women in music, gender and the castrato voice, the relationship of music to ethnicity and colonialism, and other key areas of study. Also new are contemporary perspectives, including writings by composers Caccini and Couperin and critics Artusi, Scheibe, and Burney.

Visit the companion website at www.oup.com/us/schulenberg for a discography of the scores included in the anthology (with links to online recordings), sample worksheets, and supplementary musical scores

• Sales Rank: #424062 in Books
• Brand: Brand: Oxford University Press, USA
• Published on: 2013-08-23
• Original language: English
• Number of items: 1
• Dimensions: 6.10" h x .90" w x 9.20" l, 1.25 pounds
• Binding: Paperback
• 384 pages

• Used Book in Good Condition

Review
I suspect that most teachers of the baroque period will know and recommend the volume. It reads well, and given the space, it manages to offer some detail on the music selected for attention. Clifford Bartlett, Early Music Review

About the Author

David Schulenberg is Department Chair and Professor of Music at Wagner College. He is the author of The Music of Carl Philipp Emanuel Bach (2014); The Music of Wilhelm Friedemann Bach (2010); The Keyboard Music of J.S. Bach (2006); and numerous articles. He performs and records on harpsichord and other historical keyboard instruments.

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• Sales Rank: #8932460 in Books
• Published on: 2003-03-28
• Binding: Paperback

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