Free PDF Moving Color: Early Film, Mass Culture, Modernism (Techniques of the Moving Image)By Joshua Yumibe
Free PDF Moving Color: Early Film, Mass Culture, Modernism (Techniques of the Moving Image)By Joshua Yumibe
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Moving Color: Early Film, Mass Culture, Modernism (Techniques of the Moving Image)By Joshua Yumibe
Free PDF Moving Color: Early Film, Mass Culture, Modernism (Techniques of the Moving Image)By Joshua Yumibe
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Color was used in film well before The Wizard of Oz. Thomas Edison, for example, projected two-colored films at his first public screening in New York City on April 23, 1896. These first colors of early cinema were not photographic; they were applied manually through a variety of laborious processes--most commonly by the hand-coloring and stenciling of prints frame by frame, and the tinting and toning of films in vats of chemical dyes. The results were remarkably beautiful.
Moving Color is the first book-length study of the beginnings of color cinema. Looking backward, Joshua Yumibe traces the legacy of color history from the beginning of the nineteenth century to the cinema of the early twentieth century. Looking forward, he explores the implications of this genealogy on experimental and contemporary digital cinemas in which many colors have become, once again, vividly unhinged from photographic reality. Throughout this history, Moving Color revolves around questions pertaining to the sensuousness of color: how color moves us in the cinema--visually, emotionally, and physically.
- Sales Rank: #5814886 in Books
- Published on: 2012-07-17
- Released on: 2012-06-19
- Original language: English
- Number of items: 1
- Dimensions: 9.20" h x .60" w x 6.00" l, 1.00 pounds
- Binding: Hardcover
- 230 pages
Review
"Thoroughly researched, clearly argued, and well-written, Moving Color convincingly asserts the foundational role of color in cinema…a highly engaging and informative read."
(Matthew Solomon author of Disappearing Tricks )
"With astounding research into the original documents and films of the pre-1912 period, this innovative book fills a crucial gap in our knowledge of applied color in early cinema."
(John Belton, author of Widescreen Cinema)
About the Author
JOSHUA YUMIBE is a lecturer of film studies at the University of St. Andrews and is the co-director of the Davide Turconi Project preserved at George Eastman House.
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